The screenplay is an imaginary, conceptual, hypothetical film as if written by “John”, the central character, who is an aspiring screenwriter, an outsider and a rebel. John is adopting his “love-journal” that he created documenting his love scenes with his girlfriend “Jane” to an imaginary screenplay, a movie that would not be made by any main-stream filmmaker, as it is too intimate and risque.
With the advent of the internet, there are millions of such pieces out there in various forms. Whether they are photos, blogs, videos, tweets, social-media text bits – our compulsion to document and share the most intimate moments has become the fabric of our collective consciousness.
It is a “journal” – someone writing it down right afterwards, sometimes next morning, next day, next week. Sometimes it is a re-telling of the stream of consciousness, or trying to capture it as if the writer lost track of whether the dialogue was actually spoken, or went through the mind at the time, or occurred after the fact.
The challenge of this material would be to minimize the nudity, rather make it a poetic-literary stream of consciousness full of beautiful hypnotic images, a film about memory, poetry, art, the soul… and the mind of these two characters. It will also be a way to open up the film so it does not become just two-actors-in-one room.
I see this as a 240-minute movie (in four parts: Winter, Spring, Summer, Fall) with a non-stop continuous-hypnotic-sound-track that could almost place you into an altered state – it’s about those moments in our lives when we are in that zone. The non-stop beat will help us jump in time within scenes and even edit them as non-continuous events – fragmented – as if snippets of memory…. it may involve working with 4 different DJs creating a separate piece for each of the four seasons.